an essay on the new aesthetic



02.04.2012 -
criticized it: the New Aesthetic has been dismissed and labeled as a superficial identi- fication of artistic practices that have already taken place for some time, and for many critics there is nothing new about New Aesthetic. We do not agree with this because we. 1. Bruce Sterling, 'An Essay on the New Aesthetic', Wired.com,
03.04.2012 -
The New Aesthetic is a term, coined by James Bridle, used to refer to the increasing appearance of the visual language of digital technology and the Internet in the physical world, and the blending of virtual and physical. The phenomenon has been around for a long time but James Bridle articulated the notion through a
06.04.2012 -
18.04.2012 -
The New Aesthetic, an essay by Bruce Sterling. by Posted on November 16, 2012. The New Aesthetic concerns itself with “an eruption of the digital into the physical.” (…) It'll take a while for the New Aesthetic to go somewhere important, if it goes anywhere at all, but that's all right. This decade of the teens already has a set
Consider this a mood-board for unknown products. The exploration of this continues on a dedicated Tumblr: new-aesthetic.tumblr.com. Early responses included Matt Jones' essay on the Sensor-Vernacular, and commentaries from Warren Ellis ("it's really nice to see people looking for what's next again"), Phil Gyford ("We
Central site: new-aesthetic.tumblr.com; James Bridle on the New Aesthetic: riglondon.com/blog/2011/05/06/the-new-aesthetic; Bruce Sterling on the New Aesthetic: wired.com/beyond_the_beyond/2012/04/an-essay-on-the-new-aesthetic; Responses to Sterling, defenses of Bridle:
This essay is a critical overview of the New Aesthetic in the context of what I define as The Framework of Culture. The New Aesthetic relies heavily on principles of remixing, and for this reason it is not so much a movement, but arguably more of an attitude towards media production that is overtly aware of computing

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